Metamorphoses

Pavilion Theatre, The Pennsylvania State University, 2022

Directed by Sam Osheroff - Scenic Design by Mia Irwin - Costume Design by Maddie Simpson

Lighting Design by David Heguy - Sound Design by Kyle Jensen

“Penn State Centre Stage’s “Metamorphoses” merges mythological storytelling with unique set design” by Ella Hu for the Daily Collegian

Graduate Exhibition Statement

  In the Fall of 2022, Penn State Centre Stage produced the 1996 play Metamorphoses, written by American playwright and director, Mary Zimmerman, and directed by Assistant Professor, Sam Osheroff. Metamorphoses is told through vignettes which juxtapose ancient storytelling with contemporary form to reflect the persistence of narratives in the face of inevitable change. The eleven vignettes explore the intricacies of love and leave the audience considering the non-singular complexities of people in all their different relationships. This play asks the question "What can make a person become something completely different?" through stories of transformation, love, and grief.

  The scenic design of Metamorphoses dialed in on the overt theatricality of Zimmerman’s storytelling. To immerse the audience in the world, we created a “diorama theatre” placed there by the gods, shrouded in artifice; a world planted for a moment, an illusion disappearing the instant the story concludes. We were entranced by the elegant simplicity and timelessness of these stories and wanted to translate that into Classical Greek forms within the architecture, as well as incorporating an elemental use of shapes, featuring the earth, sky, and water. Most notably, a pool of water filled the center of the stage; shimmering, stagnant, and everchanging for each of the stories. The setting provided a gateway into an immersive dreamscape for audiences to connect and find escape in the face of overwhelming change in post-pandemic America. Through both the content and design of the show, Metamorphoses is an ode to the only constant in life: change.

Statement of Importance:

Post-pandemic American theatre has created new visibility for the craft of stage artists: we are enlightened to the unsustainable structure of our industry, there is more care for the people who make and run the shows, and most notably, there is visibility and championing of women’s voices, queer voices, and voices of the global majority. Shows like Metamorphoses allow both theatre makers and theatre goers to critically consider the complexities of the world around them: this play provides room for both analytical thinking  as well as escapism from the stresses of the world. Proximity to the arts has always proven to benefit the social health of communities,  and in the face of global budget cuts to the arts and social programs, thoughtful shows like Metamorphoses provide the opportunity for us to come together as a community and reflect on the everchanging beauty of the world around us.

The Scenic Design for Metamorphoses was awarded first place in the USITT Design Expo in the Scenic Design Category, and was awarded second place in the Penn State University Graduate Exhibition in the Design Category.